A potpourri of performances in Boston Ballet’s Mirrors
The pas de deux has an impressively broad range of moves. The spins and lifts are mostly unique, and the variety easily keeps you on the edge of your seat.
The brutalist beauty of ‘Obsidian Tear’
This isn’t your typical ballet. You get this feeling as soon as you hear the sound of feet hitting the ground.
Contemporary comparisons with the Boston Ballet
The triple bill showcases three of today’s most prominent choreographers — Jorma Elo, Justin Peck and William Forsythe — each faced with the challenge of bringing shape to sound through a non-narrative work. This grants us the rare opportunity to compare and contrast their unique takes on George Balanchine’s classic charge, to “see the music, hear the dance”.
More foolhardy than fated
Paulo Arrais’s and Misa Kuranaga’s Romeo and Juliet chases an immature infatuation to its fateful end. With strong overtones of innocence and gaiety, their supposed tragedy is robbed of its weight.